France Gall has hardly been seen in recent years. But the pain that pushed it out of the spotlight could hardly be overlooked. With the death of her daughter Pauline in 1997, she lost not only her child, but also her livelihood. It was the moment when a mother remained silent, not the moment when an artist retired.
Mukoviscidosis is a particularly insidious chronic hereditary disease. It mainly affects pancreas and lungs and causes digestive problems, shortness of breath and potentially fatal consequences. Despite everything, Pauline was courageously fought alongside her parents, who tried to allow her to have a reasonably normal life. But medical progress was not enough. His death at the age of 19 hit France Gall Deep.
| Category | Information |
|---|---|
| First and last name | Isabelle Geneviève Marie Anne Gall |
| Artist name | France Gall |
| date of birth | October 9, 1947 |
| Place of birth | Paris, France |
| Toded | January 7, 2018 |
| Place of death | Neuilly-sur-Seine, France |
| To modify | 70 years |
| Occupation | Singer, SongsPopular |
| Girl | Pauline Berger (Died in 1997 of cystic fibrosis at the age of 19) |
| Husband | Michel Berger (died in 1992) |
| Famous songs | “Ella, she”, “wax doll, her doll”, “resists” |
| Deposit of privacy | Almost no public appearance since 1997 |
| Those |
Gall had already lost a loved one: in 1992, her husband, the father and artistic partner of Pauline, Michel Berger, died suddenly from a heart attack. This marked an important turning point in his life – both private and professionally. Although the death of Pauline France Gall has changed in a sustainable way, the death of shepherd struck the country’s music scene as a shock.
Gall’s later retirement of the spotlight was particularly remarkable. She consciously decided to shake the silence at a time when sorrow is often communicated publicly. She has spent many years in peace, far from cameras, in Senegal. Her decision seemed almost spiritual, as if she needed time in nature to treat loss.
Ironically, this withdrawal led to a greater appreciation of his work. Artists like Zazie and Julien Clerc congratulated their “worthy silence”. Their appearance was particularly authentic in an increasingly cacophonic industry. Unlike many of his colleagues, Gall avoided confessions and medial memories because his music was powerful and subtle enough to speak for herself.
Even today, her song “Ella, she” means identity and strength. Long before celebrities express their opinion on social issues, it has become a hymn against racism. The song was remarkablely combined with musical lightness with social relevance. Its persistent influence can be seen because it returned in the charts of decades later.
However, music was not Gall’s life. She was also a mother – a responsibility that she took very seriously. Even after the death of Michel Berger, Pauline Gall was at the center of her decisions. Many friends later remembered that Gall always had the good of his daughter in mind in conversations. Their priorities were clear.
A remarkable episode of the tragedy of Pauline Gall in France was an awareness of the public considerably increased to cystic fibrosis. Pauline’s story has affected many family stories, research projects and donations. The silent presence of a bereaved mother, not a public relations campaign, helped bring socially loss to life.
With the musical “Resist”, Gall celebrated a short return on stage in 2015, in particular in tribute to Michel Berger. His ability to distinguish between art and personal suffering was incredible. Gall did not appear himself, but made his message spread by young artists. Your management was reserved, but the dramatic structure was particularly imaginative.
The media characterized Gall, who died in January 2018, as a “silent rebel” which could not be influenced. Reactions to her death showed how much she had shaped French cultural memory. musician Like Pascal Obispo and Louane, they paid tribute to the coverage versions, and newspapers such as Le Monde and Liberation have devoted their entire files.
When you think back to France Gall, we often talk about its music, your beginnings as a member of Gainsbourg in the Eurovision song competition, its successes from the 1980s or its style decades. But the relationship with his family, especially Pauline, was the real connection factor in her life. This element was rather subtly noticeable than opens.
France Gall has become a model for many people through their lives and their relationships with pain – not by the self -market, but by silence and sustainability. Instead of giving interviews, she opted for intimacy. Although she has not published new albums, she left a rich heritage.
His experience shows that sorrow does not have to signify the end, but can lead to a particularly remarkable presence. France Gall has never become a tragic figure because it could face the loss without becoming another person.
His music remains because the generations that Pauline’s identity may not know, believe that there is an extraordinary person behind each grade.
